is a danced guided tour of the collection of events inspired by the choreographic work of DISCOllective’s members and the artistic practices they are involved in.
The confusion that may have been created by the previous sentence is one of the entrances to the Event Museum.
You can arrange an appointement of the dance(d) guided tour by contacting us here.
Event Museum is built by events. It is made of events, which are artefacts, which are objects, which are affects, which are materials, which are movements, which are choreographies. They are the building material (like a brick) with which we build the Event Museum. Each experience we do in the Event Museum co-builds it.
The events thus shape the structure, the programme, the vision, the organisation and the collections of the Event Museum.
We build the Museum together through danced guided tours of the Museum’s collections. The guided tours are choreographies.
The Event Museum was founded and is being founded by here and now.
The Event Museum is both an institute and an institution that are always and everywhere open. All their code is open, spread and splayed out, at everyone’s reach here and now to co-create.
The guided dance(d) tours through the collections of the Museum of Events, organised by DISCOllective, are aimed at a joint playful artistic exploration of dance, performance, choreography, improvisation, practice, reflection, production, curation, archiving, documentation, and thus the construction of the Event Museum.
An event is a moment that creates in a moment a documentation of itself in any medium. The event is always collective, multiplicity, impure difference, multimedia, a queer repetition.
Enter
Dance as a museum.
Dance as an archive.
Dance as a document.
Choreography as a museum.
Choreography as an archive.
Choreography as a document.
Affect as a museum.
Affect as an archive.
Affect as a document.
Dance is a museum.
Dance is an archive.
Dance is a document.
Choreography is a museum.
Choreography is an archive.
Choreography is a document.
Affect is a museum.
Affect is an archive.
Affect is a document.
Event Museum takes the statement by Papež from the meeting game M: “A moment becomes an event when it invents its own documentation”, as a slogan and a starting point.
Inspiration
Event Museum is a third part of Trip Tych
Event Museum is inspired by a Nelson Valmor installation “Posta(vl)janje”
Event Museum is a part of an artistic endeavour, exploration, research entitled “Choreographic archive as a sensorial/sensual object” by Sonja Pregrad and DISCOllective.
Archive S.M. by Tea Kantoci, Sonja Pregrad & DISCOllective
Expose, curated by Tea Kantoci
Otherskin, fashio show by DISCOllective and Tea Kantoci
Credits
Choreographies by the moment & guests
MC: DISCOllective
Dance(d) guided tours by DISCOllective & guests
Produced by the International Dance Terrorist Organization
Supported by the world and Principlay
Choreographers and their work
All the choreographers are now members of DISCOllective. Some works are available in the original form while the others have found other forms to continue to exist.
Above mentioned proposals are from DISCOllective. Below you will find proposals by the members of DISCOllective.
Curio Kitheca – Plasma – kinesthetic intelligence game with many formats
Timon Jelen – M – the game of meetings. Also the documenting and documentary program.
Tehvan Ratsanik – Obed – voice, breath, movement, memory, imagination, storytelling at play in the play of relations
Norbert Sven Fö – Predelano življenje – take life, make performance
Božidar Šumi – Jezični ples – Movement glasolalia | Gla sanje – See the voice, voice the space, space the movement, move the seeing.
Srečko Jorš – Na stalnem naslovu najinega početja
Nelson Valmor – M
Egidio Peano – Nuca – the vulnerability point of a relation
Vigur Gurdu – Drug – becoming other has never been more playful | U svakom slučaju – an institutionalisation ballet
Ling Mu – Brown Motion – get that disorder dance (for) you
Pola Pautan – Task – 7 steps to make a choreography
Features
All the artistic work uses extensively the lines of work comprised in upri.se which is also dubbed Principlay. Which means that all the choreographic work consist of elements that can as well be taken as educational, reflecting, organizing, political, playing tool.
Actually what we propose at Event Museum is to understand that being creative means you need to co-produce the conditions to create, teach yourself how to do it, reflect as you are doing it, do the research.
These tools are open knowledge tools or as we like to call them: proposals. Welcome to explore them in your own way and under your own terms.
Principlay also aims to show that all the actions are co-actions, and at Event museum we find this understanding more important than the authorship, who “created” it or “devised” it. And to immediately be clear: we do think claiming and addressing authorship is important. We think that there are many ways to explore that issue beside through authors’ rights.
